Showing posts with label yasujiro ozu. Show all posts
Showing posts with label yasujiro ozu. Show all posts

Sunday, July 16, 2017

Late Autumn by Yasujiro Ozu - 1960


The plot of this movie is almost like a Mozart Opera - so much romantic scheming.

Akiko, who is now middle aged, was once a beautiful young woman pursued by four suitors who were all best friends. Miwa won her hand. After about 20 years, however, Miwa died leaving Akiko a widow with a daughter Ayako.

At the 7th year memorial service for Miwa his three friends decide to find a good man for his daughter to marry. Each friend is a high-ranking businessman who supervises many high quality young men and each of the three friends chooses a possible suitor for Ayako. She likes Mr. Goto.

There's one problem: Ayako does not want to get married because she fears she will have to leave her mother all alone. So, the three men decide they have to find a husband for Akiko too! Since one of the three friends is a widower, they believe he will work out fine.

What happens? Please watch the film.

It's a typical Ozu film - a 'domestic' drama involving real types of people with no violence, no pettiness, and a lot of self-restraint, serenity and humanity.

In his films Ozu seemed interested in the sense of duty felt between family members in Japan - how strong this sense could be, when it might weaken, how it might guide or limit behavior and lives. He also seems to enjoy investigating the compassion of strangers as it can be compared and contrasted with familial duty.

Monday, December 8, 2014

Tokyo Story Yasujirō Ozu 1953



Access the film here. Click on 'cc' for subtitiles:
https://www.youtube.com/watch?v=SOXnsqSxMNs

This is often considered one of the greatest films ever made.

Ozu made films that rarely show overt conflict or violence.  Instead we see sweet, sad, insightful films with interesting and humane characters.

The plot of the film is simple - a retired Japanese couple travel to Tokyo to visit their children. The children all have jobs and are quite busy, so they cannot spare much time with their parents. Ironically, the only one who takes a day off is their daughter-in-law - the wife of the couple's son (who died in the war).

She is a type of hero in this film - showing great warmth and kindness to an elderly couple to whom she is not even related any more.

Ozu's films remind me a bit of some of the profoundly bitter sweet music of Eric Satie. Ozu was an amazing director.